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Jill Mansell, unlike other writers in the rom-com arena, seems to get better with every book she writes. Thinking of You is her latest offering and proves that it is possible to get better with age!
Ginny Holland, a best selling author if left rattling around in her house on her own after daughter Jem goes to university. Lonely, she advertises her spare room for rent. Instead of a happy roommate, she gets moaning Laurel who is still hung up on her ex-boyfriend. If that wasn’t enough, Ginny finds herself lusting after two men who can only be bad for her. Will Ginny get the man of her dreams, or will he be the one that gets away?
Mansell has a disarming ability to create characters that you already know and that tends to make her books impossible to put down. This book is no different. It is charmingly written, hopelessly funny and will make you forget all of your own troubles as soon as you read the first page.
(ISBN: 0755328116, ISBN-13: 9780755328116)
Book Price comparison of Thinking Of You

Title: A Clash of Kings (Song of Ice and Fire)
Author: George R.R. Martin
ISBN: 0006479898
EAN: 9780006479895
New Ed. Edition
752 Pages
Publisher: Voyager
Binding: Paperback
Publication date: 1999-10-04
Author: George R.R. Martin
ISBN: 0006479898
EAN: 9780006479895
New Ed. Edition
752 Pages
Publisher: Voyager
Binding: Paperback
Publication date: 1999-10-04
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George R.R. Martin writes sword-and-sorcery which concentrates on the swords. A Clash of Kings is the second volume of A Song of Ice and Fire, the sequence which began with A Game of Thrones and will take another four volumes to complete. The Seven Kingdoms are divided by revolt and blood feud; beyond their Northern borders, the men of the Night Watch fight the coming of a great cold and the walking corpses that travel with it; on the other side of the ocean, the last of the Kingdom's deposed ruling house mourns her horseclan husband and rears the dragonlets she hatched from his funeral pyre. This is character-driven fantasy--we see most events through the eyes of the sons and daughters of the Stark family, the once and future Kings of the North, whose father's judicial murder started the war. Martin avoids the cosy Californian cheeriness of many epic fantasies in favour of a sense of the squalor and grandeur of high medieval life; there is passion here, and misery and charm--and a profound sense of moral ambiguity as we learn to like the Richard III figure in this epic as much as the more virtuous Starks. --Roz Kaveney
2008-06-19 Gripping but....
Picking up right where 'A Game of Thrones' left off, 'A Clash of Kings' is just as gripping as its predecessor and is a very captivating book. The series main strength is the presence of some fantastic characters, most notably Tyrion Lannister, one of the best anti-heroes I've come across in fiction. One thing that must be made quite apparent though is that one should utterly ignore the ridiculous quote on some versions of his books that George RR Martin is 'the American Tolkien.' Other than the fact that they both have two 'R's' in their name and have books on sale in the 'Fantasy' section of your local bookshop, there is no call for comparison. Tolkien invented modern fantasy and set out a template which far too many authors have simply ripped off (the unlikely hero, the quest, the band of heroes etc.) Martin deliberatley ignores or subverts these conventions and indeed his work is much closer, in the main, to historical fiction. To sum up; there's no reason to suppose a fan of Tolkien's will enjoy Martin's style.On the positive side: Martin is a very good writer. The plot is intricate and epic, and the dialogue is far beyond the vast, vast majority of fantasy novels. As well as that he's writing for the adult market; there's plenty of adult humour and situations, while there's a goodly, but not gratutious amount of swearing. It all adds to the realism of the book. You really get the sense that you're reading a warts and all account of a bygone era. Too often fantasy writers aim for the young adult end of the market and end up offering up incipid novels in which nobody (even the most hardened warriors) ever curses, has sex or uses the toilet.
On the negative side: Martin is far better at the 'swords' end of the 'swords and sorcery' business, to the extent that the 'magical' elements of the story (such as they are), feel out of place. It's rather like reading a blood and guts account of the Wars of the Roses when all of a sudden a warlock shows up. The sections that involve magical elements are by far the weakest parts of the book.
And one MAJOR gripe I have is that for all his skills with words, Martin's characters seem utterly incapable of using more than two words to describe the male and female genitals (a hint, they're both 'C' words). It's not a matter of prudishness, it's simply that the English language contains an unbelievable wealth of words for human anatomy and yet Martin can't seem to get away from those two terms. In every intimate scene between two characters whether higborn or peasant, male or female etc. they all talk like sailors. Indeed none of the sex scenes in the first two books are very appealing. Rather than offering a tender riposte to the savagery on display in the rest of the book, sex is rough and unpleasant throughout.
That said the good parts far outweigh the bad, and it's a fantastic series of books so far; captivating, well plotted, and well worth investing time in.
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