2001-08-24 Averge Thriller with Great Background

ONE MIGHT EASILY lump Latour's gritty thriller in with the plethora of serviceable South Florida crime fiction on the shelves, but that would be overlooking its' value as a window into modern Cuban society. Set in 1994, the book starts with Elliot Steil, a Cuban English teacher and apathetic Marxist who ekes out a dreary existence in a Havana where food is scarce, and the state's omnipresence stifles expression. His life is thrown into turmoil when an American tourist shows up, claiming to be a friend of his long-vanished father, and offering to help him escape to America. However, in a stunning reversal, Elliot is left to die in the waters off Florida. Rescued by fellow Cuban rafters, he makes it to Miami, where he must learn a whole new way of living in the land of the almighty dollar.

The book is at its' best in showing the unpleasant reality of life in modern Cuba (one completely absent from Daniel Chavarria's Cuban crime caper Adios Muchachos), and the bewilderment of a refugee adjusting to life in America. As Elliot gets his measure of America and manages to scrape some cash together, he starts to wonder who would try to kill him and why. His fairly straightforward investigation is broken up with lengthy flashbacks and backstory which are a little awkward, but not overly so. An engaging supporting cast helps him in his quest, from the car thief Hairball, to former student Tony, to a tough Jewish businessman. Less well-conceived are the villains of the piece, who suffer from weak characterizations and unlikely actions. The outcome is not overly surprising, but the book is well worth reading for Latour's thoughtful contrast of modern Cuban and American societies, and the flaws of each.