An inspired blend of memoir and literary criticism, Reading Lolita in Tehran is a moving testament to the power of art and its ability to change and improve people's lives. In 1995, after resigning from her job as a professor at a university in Tehran due to its repressive policies, Azar Nafisi invited seven of her best female students to attend a weekly study of great Western literature in her home. Since the books they read were officially banned by the government, the women were forced to meet in secret, often sharing photocopied pages of the illegal novels.

For two years they met to talk, share and "shed their mandatory veils and robes and burst into color". Though most of the women were shy and intimidated at first, they soon became emboldened by the forum and used the meetings as a springboard for debating the social, cultural and political realities of living under strict Islamic rule. They discussed their harassment at the hands of "morality guards," the daily indignities of living under Ayatollah Khomeini's regime, the effects of the Iran-Iraq war in the 1980s, love, marriage and life in general, giving readers a rare inside look at revolutionary Iran. The books were always the primary focus, however and they became "essential to our lives: they were not a luxury but a necessity", she writes.

Threaded into the memoir are trenchant discussions of the work of Vladimir Nabokov, F Scott Fitzgerald, Jane Austen and other authors who provided the women with examples of those who successfully asserted their autonomy despite great odds. The great works encouraged them to strike out against authoritarianism and repression in their own ways, both large and small: "There, in that living room, we rediscovered that we were also living, breathing human beings; and no matter how repressive the state became, no matter how intimidated and frightened we were, like Lolita we tried to escape and to create our own little pockets of freedom." In short, the art helped them to survive. --Shawn Carkonen, Amazon.com

2008-05-18 Bright Red Lipsticks Under the Veils

Azar Nafisi tells the story of her life in Iran before & after the Islamic revolution. She teaches English at the University of Tehran without wearing a veil until she's expelled (though she claims she resigned beforehand). She decides to run an English class in the privacy of her home, every Thursday, for a select group of women, so they can study various novels banned by the Iranian regime. She becomes close to these women, hears their tragic stories, then decides to bugger off to America with her family. The End.

This memoir is part unreliable narrator (which makes the title oh-so-ironic), part intriguing study of a woman's life under strict Islamic law, and part lit criticism on key Western novels (e.g. Lolita, Pride & Prejudice, and Great Gatsby.) It could have done with tighter editing and a more comprehensible chronology; it could have also done with less flights-of-fancy and more objectivity on the part of the author.

A decent introduction to Iran and its regime's nefarious persecution of women.