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Are you an interested in planning to start an online business or do you just want to start an online shop ? Peter Kent and Jill K Finlayson, in their top selling book “How to Make Money Online with eBay, Yahoo!, and Google” (ISBN: 978-0072262612), introduce you to a step-by-step plan to generate revenue online and maximize profits. It helps you reach targeted buyers using strategic search engine placements ....

Author: Michel Pastoureau
ISBN: 069113930X
EAN: 9780691139302
216 Pages
Publisher: Princeton University Press
Binding: Hardcover
Publication date: 2008-12-05
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(Brian BouldreyChicago Tribune )
Praise for Michel Pastoureau's Blue: "Pastoureau's text moves us through one fascinating area of activity after another. . . . The jacket, cover and end-papers of this luscious book are appropriately blue; its double-columned text breathes easily in the space of its pages; it is so well sewn it opens flat at any place; and fascinating, aptly chosen color plates, not confined to the title color, will please even those eyes denied the good luck of being blue.
(liam H. Gass, author of "Blue: A Philosophical Inquiry )
Black--favorite color of priests and penitents, artists and ascetics, fashion designers and fascists--has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe.
In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color.
For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings--and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful--and ambivalent--shaper of social, symbolic, and ideological meaning in European societies.
With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design.
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